Long time readers of this blog might recall my two previous interviews with Douglas Cowan on the topic of horror films and their connection to religion and fear. Doug shared his insights on these topics as they related to his book on the topic Sacred Terror: Religion and Horror on the Silver Screen (Baylor University Press, forthcoming 2008). These popular interviews can be accessed with the first part of the interview here and the second here.  Readers might also be interested to know that Doug is currently working on another book, titled Sacred Space: The Quest for Transcendence in Science Fiction and Television, and I hope to have him come back for an interview or two to discuss aspects of this volume as it unfolds.

Here is the description of the volume from Baylor and endorsement statements:

Sacred Terror examines the religious elements lurking in horror films. It answers a simple but profound question: When there are so many other scary things around, why is religion so often used to tell a scary story? In this lucid, provocative book, Douglas Cowan argues that horror films are opportune vehicles for externalizing the fears that lie inside our religious selves: of evil; of the flesh; of sacred places; of a change in the sacred order; of the supernatural gone out of control; of death, dying badly, or not remaining dead; of fanaticism; and of the power-and the powerlessness-of religion.

Available October 2008

Reviews:

“Up to now, horror films have been largely neglected or denigrated by scholars of religion and film. Doug Cowan offers a new approach, arguing that religious elements are central to the success of horror. He effectively debunks the myth that modern secular rationalism has banished the ghosts of the past, demonstrating that religion-related fears of death, damnation, supernatural forces, and religious “others” often support the continuing ability of horror to terrify and create frisson. A book that is both entertaining and important!”

-John Lyden, Professor and Chair of Religion, Dana College

“Proving that the genre of horror film belongs firmly in the interest of religious studies, Douglas Cowan offers an ample map of where any interested, and perhaps somewhat scared, scholar might turn to revisit this ancient form of storytelling. In the end, we learn about what horror might have to say to the human, beyond the death-life divide.”

-S. Brent Plate, Associate Professor of Religion and the Visual Arts, Texas Christian University, and author of Religion and Film: Cinema and the Re-creation of the World