I’m pleased to announce two forthcoming titles that look great. I know both authors and they have made appearances on this blog previously, which makes it even more exciting, and the subject matter is wonderful.

First, on the fiftieth anniversary of The Wicker Man film, Steve A. Wiggins has written The Wicker Man as part of The Devil’s Advocates series for Oxford University Press. Here’s the description:

Many fans of Robin Hardy’s The Wicker Man (1973) may know that this classic is considered a fine sample of folk horror. Few will consider that it’s also a prime example of holiday horror. Holiday horror draws its energy from the featured festive day, here May Day. Sergeant Neil Howie (Edward Woodward), a ‘Christian copper,’ is lured to the remote Scottish island Summerisle where, hidden from the eyes of all, a thriving Celtic, pagan religion holds sway. His arrival at the start of the May Day celebration is no accident. The clash between religions, fought on the landscape of the holiday, drives the story to its famous conclusion.

In this Devil’s Advocate, Steve A. Wiggins delineates what holiday horror is and surveys various aspects of ‘the Citizen Kane of horror movies’ that utilize the holiday. Beginning with a brief overview of Beltane and how May Day has been celebrated, this study considers the role of sexuality and fertility in the film. Conflicting with Howie’s Christian principles, this leads to an exploration of his theology as contrasted with that of Lord Summerisle (Christopher Lee) and his tenants. Such differences in belief make the fiery ending practically inevitable.

The second volume, also published by Oxford University Press, is by Joseph Laycock and Eric Harrelson. It is titled The Exorcist Effect: Horror, Religion, and Demonic Belief. The description:

The Exorcist Effect is a fascinating historical study of the ongoing relationship between horror movies and Western religious culture, with a focus on the period from 1968 to the modern day. Taking its name from the 1973 film The Exorcist, which was widely understood to be based on a true story, this book outlines a cycle in which religious beliefs and practices become the basis of films that in turn inspire religious beliefs, practices, and experiences in response. Authors Joseph P. Laycock and Eric Harrelson draw heavily from archival research to shed new light on the details of this phenomenon, in addition to incorporating interviews with horror authors, film writers, and paranormal investigators.

Drawing on psychology, sociology, and folklore studies, Laycock and Harrelson theorize how film informs religious experience and shapes religious culture. The Exorcist Effect examines the production and reception of Rosemary’s Baby (1968), The Exorcist (1973), and The Omen (1976) as seminal films in the genre; figures as Malachi Martin as well as Ed and Lorraine Warren, who inserted themselves directly into the spotlight, and the horror films that influenced and were inspired by their careers; and areas of culture where the influence of this cycle was most apparent-the Satanic Panic, religious exorcisms, and moral panic over heavy metal and the messages it was purported to spread. The final chapter considers the QAnon conspiracy theory and its numerous allusions to film as a contemporary manifestation of “The Exorcist effect.”

Ultimately, The Exorcist Effect is a deftly researched and compelling volume that is sure to interest horror buffs, religious scholars, and historians alike.

The Wicker Man will be released in August, and The Exorcist Effect in October.