Titles of Interest – Monsters of Film, Fiction, and Fable: The Cultural Link Between the Human and the Inhuman

Monsters of Film, Fiction, and Fable: The Cultural Link Between the Human and the Inhuman
Edited by Lisa Wenger Bro, Crystal O’Leary-Davidson, and Mary Ann Gareis
Cambridge Scholars Publishing, 2018

Monsters are a part of every society, and ours is no exception. They are deeply embedded in our history, our mythos, and our culture. However, treating them as simply a facet of childrens stories or escapist entertainment belittles their importance. When examined closely, we see that monsters have always represented the things we fear: that which is different, which we cant understand, which is dangerous, which is Other. But in many ways, monsters also represent our growing awareness of ourselves and our changing place in a continually shrinking world. Contemporary portrayals of the monstrous often have less to do with what we fear in others than with what we fear about ourselves, what we fear we might be capable of. The nineteen essays in this volume explore the place and function of the monstrous in a variety of medias tories and novels like Baums Oz books or Gibsons Neuromancer; television series and feature films like The Walking Dead or Edward Scissorhands; and myths and legends like Beowulf and The Loch Ness Monster in order to provide a closer understanding of not just who we are and who we have been, but also who we believe we can be for better or worse.

“The Sacred in Fantastic Fandom: Essays on the Intersection of Religion and Pop Culture” now available

The Sacred in Fantastic Fandom: Essays on the Intersection of Religion and Pop Culture (McFarland, 2019). This is another work of mine that was recently completed.  I am especially thankful for my co-editors who came on at my invitation to help finish the volume once an urgent personal issue upended my writing and editing schedule. They helped me get this volume over the finish line and I’m grateful.

To the casual observer, similarities between fan communities and religious believers are difficult to find. Religion is traditional, institutional, and serious; whereas fandom is contemporary, individualistic, and fun. Can the robes of nuns and priests be compared to cosplay outfits of Jedi Knights and anime characters? Can travelling to fan conventions be understood as pilgrimages to the shrines of saints?

These new essays investigate fan activities connected to books, film, and online games, such as Harry Potter-themed weddings, using The Hobbit as a sacred text, and taking on heroic roles in World of Warcraft. Young Muslim women cosplayers are brought into conversation with Chaos magicians who use pop culture tropes and characters. A range of canonical texts, such as Supernatural, Buffy the Vampire Slayer, and Sherlock—are examined in terms of the pleasure and enchantment of repeated viewing. Popular culture is revealed to be a fertile source of religious and spiritual creativity in the contemporary world.

Introduction: The Study of Fandom and Religion (Carole M. Cusack and Venetia Laura Delano Robertson) 1

Part 1. Sacred Reading: Analyzing the Text

Harry Potter and the Sacred Text: Fiction, Reading

and ­Meaning-Making (Carole M. Cusack )15

Doctrine and Fanon: George Lindbeck, Han’s Gun
and Sherlock’s Gay Wedding (Rhiannon Grant) 33

Supernatural’s Winchester Gospel: A Fantastic Midrash (Linda Howell) 49

“Seizing the Means of Perception”: The Use of Fiction in Chaos Magic and Occultural Fandom (Greg Conley) 66

Part 2. Sacred Viewing: Watching the Text

Cinephany, the Affective Experience of the Fan: A Typology (Marc ­Joly-Corcoran) 86

Experiencing the Sacred: The Hobbit as a Holy Text (Jyrki Korpua, Maria Ruotsalainen, Minna Siikilä-Laitila, Tanja Välisalo
and Irma Hirsjärvi) 102

Transformative Souls and Transformed Selves: Buffy, Angel
and the Daimonic Tale (James Reynolds) 119

Part 3. Sacred Play: Performing the Text

Until the End of the World: Fans as Messianic Heroes
in World of Warcraft (Jovi L. Geraci) 138

Muslim Women Cosplayers: Intersecting Religious, Cultural
and Fan Identities (Juli L. Gittinger) 154

Magical Matrimony: Romance and Enchantment in Harry Potter–Themed Weddings (Venetia Laura Delano Robertson) 169

Afterword: Fantastic Fan Conventions and Transformational
Festivals (John W. Morehead) 187

“The Paranormal and Popular Culture: A Postmodern Religious Landscape” now available

The Paranormal and Popular Culture: A Postmodern Religious Landscape (Routledge, 2019). This book makes a contribution to a number of academic disciplines, from the paranormal and religious studies to popular culture and media studies. As a hardbound academic volume it’s pricey, but perhaps you can secure one through university interlibrary loan, or a future paperback version. Here’s the description and table of contents:

Interest in preternatural and supernatural themes has revitalized the Gothic tale, renewed explorations of psychic powers and given rise to a host of social and religious movements based upon claims of the fantastical. And yet, in spite of this widespread enthusiasm, the academic world has been slow to study this development. This volume rectifies this gap in current scholarship by serving as an interdisciplinary overview of the relationship of the paranormal to the artefacts of mass media (e.g. novels, comic books, and films) as well as the cultural practices they inspire.

After an introduction analyzing the paranormal’s relationship to religion and entertainment, the book presents essays exploring its spiritual significance in a postmodern society; its (post)modern representation in literature and film; and its embodiment in a number of contemporary cultural practices. Contributors from a number of disciplines and cultural contexts address issues such as the shamanistic aspects of Batman and lesbianism in vampire mythology.

Covering many aspects of the paranormal and its effect on popular culture, this book is an important statement in the field. As such, it will be of utmost interest to scholars of religious studies as well as media, communication, and cultural studies.

Table of Contents

Introduction

Darryl Caterine

Part I: The Return of the Sacred

1 What Can the Paranormal in Popular Culture Tell Us About Our Relationship with the Sacred in Contemporary Society?

Madeleine Castro

2 Paranormal Medicine

Charles F. Emmons

3 The Right to a Narrative: Metamodernism, Paranormal Horror, and Agency in The Cabin in the Woods

Linda C. Ceriello and Greg Dember

4 The Dark Knight Rises: Shamanic Transformations in Gotham City

Jack Hunter

5 These Lovers Are Out of This World: Sex, Consent, and the Rhetoric of Conversion in Abductee Narratives

Elizabeth Lowry

6 The Mystery of Everything Out There: Bigfoot and Religion in the Twenty-First Century

Joshua Paddison

7 The Haunters and the Hunters: Popular Ghost Hunting and the Pursuit of Paranormal Experience

Leo Ruickbie

Part II: The Spell of Occulture

8 Religions of the Red Planet: Fin de Siècle Martian Romances

Christa Shusko

9 Paranormal Women: the “Sexual Revolution” and Female Sexuality in Hammer Studios’ Karnstein Trilogy

Jay Daniel Thompson

10 “We’re Ready to Believe You!” Spiritualism and the Interpretation of Paranormal Experience in Ghostbusters (1984)

Matthew N. Anderson and Collin L. Brown

11 Jesus and The Undead: Resurrected Bodies in Scripture and the Zombie Apocalypse

Kelly J. Murphy

12 Haunting the Ghost of Mark Twain

Ann M. Ryan

13 Accounts of High Strangeness: A Brazilian Perspective on the Paranormal and Popular Culture

Leonardo Martins

14 How the Necronomicon Became Real: The Ecology of a Legend

Joseph P. Laycock

15 Miranda Barbour and the Construction of a “Satanic Cult” Murder

Daniel Linford

16 “What Would You Do When…?”: Ostensive Play in the Zombie Apocalypse Narrative

Brent C. Augustus

17 Paranormal Beliefs, New Religious Movements and the New Age Spiritual Milieu

James R. Lewis and Sverre Andreas Fekjan

18 Cryptofiction! Science-Fiction and the Rise of Cryptozoology

Justin Mullis

19 When Did Fairies Get Wings?

Simon Young

20 A Contactee Canon: Gray Barker’s Saucerian Books

Gabriel McKee

Conclusion

John W. Morehead

Doug Cowan on “Magic, Monsters, and Make-Believe Heroes: How Myth and Religion Shape Fantasy Culture”


Doug Cowan, a frequent guest at TheoFantastique, returns to discuss his book Magic, Monsters, and Make-Believe Heroes: How Myth and Religion Shape Fantasy Culture (University of California Press, 2019). Enjoy the interview, and pick up a copy of this great book.

Holy Horror and the Bible: A Conversation with Steve Wiggins


Steve Wiggins is an independent scholar and author of Holy Horror: The Bible and Fear in Movies (McFarland, 2018). As the title indicates, Steve looks at how the Bible is incorporated into horror films. He and I discuss this and related topics in this conversation. From the book’s back cover:

What, exactly, makes us afraid? Is it monsters, gore, the unknown? Perhaps it’s a biblical sense of malice, lurking unnoticed in the corners of horror films. Holy Writ attempts to ward off aliens, ghosts, witches, psychopaths and demons, yet it often becomes a source of evil itself.

Titles of Interest – Primal Roots of Horror Cinema: Evolutionary Psychology and Narratives of Fear

This looks like an interesting volume. I’ve drawn attention to a similar one previously, Why Horror Seduces, that seeks to understand horror through evolutionary social psychology. See my prior interview with the author below, Carrol Fry, on his book Cinema of the Occult.

Primal Roots of Horror Cinema: Evolutionary Psychology and Narratives of Fear
Carrol L. Fry
McFarland, 2019

Why is horror in film and literature so popular? Why do viewers and readers enjoy feeling fearful? Experts in the fields of sociobiology and evolutionary psychology posit that behaviors from our ancestors that favored survival and adaptation still influence our actions, decisions and thoughts today.

The author, with input from a new generation of Darwinists, explores six primal narratives that recur in the horror genre. They are territoriality, tribalism, fear of genetic assimilation, mating rituals, fear of the predator, and distrust or fear of the Other.

History Channel’s “Project Blue Book”: Hynek, UFOs and fictionalized biography

As any regular reader of this blog is aware, I have had a long-time interest in paranormal phenomena, and UFOs in particular. In the 1970s I grew up with paranormal documentaries and pseudo-documentaries, and was particularly fascinated by UFOs. My brother had a sighting when we were kids, and I was a member of MUFON, one of the first UFO research organizations.

Because of this background I was excited to hear about the History Channel’s new series, Project Blue Book, which purports to tell the story of Dr. J. Allen Hynek, a seminal figure in UFO research, who created the nomenclature of UFO sightings and close encounters, which inspired Spielberg to produce Close Encounters of the Third Kind. Unfortunately, what I hoped for in this new series, an exploration of Hynek’s background as an astronomer, his early skepticism of UFOs as encounters something otherworldly and later change of perspective, and just what led to this change, as well as an exposition of some of the more interesting cases he worked on for the US government and beyond, are not to be found. Instead, we have a largely fictionalized program that is heavily influenced by The X-Files. Diabolique has a good article on this by Robert Skvarla, and a quote illustrates this unfortunate state of affairs:

The sin of Project Blue Book is that it takes an extraordinary life and turns it into something ordinary, another in a long line of paranoid thrillers in the vein of The X-Files (1993) and The Americans (2013). It makes the unbelievable circumstances of Hynek’s time on the real-life Air Force study Project Blue Book even more far-fetched by branching out into the realm of conspiracy theories. And it reduces a curious scientist into a fame-seeking magician. The rub of it is that in doing so, it also creates the most accurate depiction of our current national psychosis. Project Blue Book is a brain-sucking worm lodged in the zombified skull of America, incessantly jamming the fear button in what’s left of our parasite-eaten gray matter to provoke us into shadowboxing hallucinations of the Deep State and Russian spies.

Perhaps I was naive in my hopes in the era of paranormal reality television.

Texas State: Of Gods and Monsters Conference

Welcome to the page for Of Gods and Monsters, a conference happening at Texas State University April 4th -6th, 2019. We’re excited to welcome you to San Marcos, Texas, and talk about monsters! Judith Halberstam famously claimed that monsters are “meaning machines” that can be used to represent a variety of ideas, including morality, gender, race, and nationalism (to name only a few). Monsters are always part of the project of making sense of the world and our place in it. As a tool through which human beings create worlds in which to meaningfully dwell, monsters are tightly bound with many other systems of meaning-making like religion, culture, literature, and politics. Of Gods and Monsters will provide focused space to explore the definition of “monster,” the categorization of monsters as a basis of comparison across cultures, and the relationship of monsters to various systems of meaning-making with the goal of understanding how humans have used and continued to use these “meaning machines.”

Through this conference, we hope to explore the complex intersections of monsters and meaning-making from a variety of theoretical, academic, and intellectual angles. Because “monsters” are a category that appears across time and cultural milieus, this conference will foster conversations between scholars working in very different areas and is not limited in terms of cultural region, historical time, or religious tradition. As part of fostering this dialogue, Douglas E. Cowan will serve as this event’s keynote speaker, while archival researcher and cryptid expert Lyle Blackburn will offer a second plenary address. Both talks are open to the public, and please see the schedule page for further details.

If any questions should arise, please contact conference organizers, Natasha Mikles or Joseph Laycock.

Schedule
Preliminary schedule only—full conference schedule to be posted soon

All events are open to the public, though daily lunch and coffee breaks are limited to registered participants only.

Thursday, April 4
4:00 PM – 5:30 PM: Keynote, Doug Cowan, “America’s Dark Theologian”

5:30 – 6:30 PM: Reception

Participants are encouraged to organize dinner on their own, but Natasha and Joe will lead interested parties to local restaurants.

Friday, April 5
9:00 -10:30 AM: Panels

10:30 AM – 11:00 AM: Coffee/tea break

11:00 AM – 12:30 PM: Panels

12:30 PM – 2:00 PM: Lunch break (Lunch will be provided for registered conference participants and observers)

2:00 – 3:30 PM: Keynote, Lyle Blackburn, “Monsters of Texas: History, Legends, and Modern Sightings”

3:30 – 6:30 PM: Monster Movie with Blood over Texas

Saturday, April 6
9:00 – 10:30 PM: Panels

10:30 – 11:00 AM: Coffee / tea break

11:00 AM – 12:30 PM: Panels

12:30 PM – 2:00 PM: Lunch break (Lunch will be provided for registered conference participants and observers)

2:00 – 3:30 PM: Panels

3:30 – 5:00 PM: Free time for participants. Optional Glass-bottom boat tour at Aquarena Springs at 4 PM.

5:00 PM – 7:00 PM: Optional banquet at local restaurant. Banquet fee may be paid via online registration.

7:00 PM: Pub crawl to area breweries and bars.

Registration
Please find here our registration portal. The fee for participants will be $60, while student observers from Texas State University may pay a rate of $10 a day to register for lunch and a name badge.

Beyond the conference, we have organized two optional events that we hope everyone will attend!

On Saturday afternoon, we have organized a group excursion to a glass-bottom boat tour. The tour takes you to see the Aquarena Springs, once home to Ralph the Swimming Pig and the filming location for the horror movie Piranha and several movies in the Tarzan franchise. With crystal-clear, blue water that lets you see over 60 feet down, we will have the opportunity to observe the springs bubble up from the ground beneath our feet, as well as glide over innumerable flora and fauna.

Saturday evening will feature our conference banquet, where we will adjourn to local brewery and restaurant Root Cellar Café for food, companionship, and merriment. Appetizers, delicious meals, dessert, and both alcoholic and non-alcoholic beverages will be provided in the banquet fee. After our banquet ends, Joe and Natasha will lead interested parties on a small pub crawl in San Marcos.

AAR Meeting: New Directions in the Study of Religion, Monsters, and the Monstrous Seminar

The Monsters and Religion group at the American Academy of Religion has announced an ambitious five year period of analysis and discussion that will begin with the meeting in November 2019. I really like the topic for year four, and am hoping someone presents on how we construe religious others as monsters as part of a process of dehumanization that then facilitates public rhetoric, limits on religious freedoms, and even violence. Here’s the announcement from the AAR website:

New Directions in the Study of Religion, Monsters, and the Monstrous Seminar

Statement of Purpose:

The Mission of the New Directions in the Study of Religion, Monsters, and the Monstrous Five-Year Seminar is to facilitate dialogue between different areas and methodologies within religious studies to arrive at a better theory of the intersection of religion, monsters, and the monstrous. Due to the diverse nature of our topic, we encourage proposals from any tradition or theoretical perspective. Each year of the seminar will focus on a different theoretical problem as follows:

Year One –– Taxonomy. The first task of the seminar will be to explore the taxonomy of “monsters” as a second-order category. What defines a “monster” and what are we talking about when we talk about monsters?

Year Two –– Theodicy: What role do monsters serve in explaining misfortune? Are monsters a source of injustice or do they create justice as agents of punishment?

Year Three –– Cosmology: How do monsters function to map out reality, including time and space?

Year Four –– Monstrification and humanization: When, how, and why are other people and their gods “monstrified?” How does racism intersect with the discourse of the monstrous? Conversely, when, how, and why are monsters humanized?

Year Five –– Phenomenology: How should we interpret narratives of encounters with fantastic beings? To what extent are reductionist readings of these narratives appropriate and helpful? Are there viable approaches beyond reductionism?

At the conclusion of the seminar, our findings will be published as an edited volume or otherwise disseminated to the scholarly community

Call for Papers:

New Directions in the Study of Religion, Monsters, and the Monstrous is a new five-year seminar dedicated to developing a better theoretical foundation for the study of monsters and the monstrous in the field of religious studies. The first year of our seminar will consider the problem of taxonomy: What is a monster, and what do we gain by categorizing an entity as such? We invite papers from any discipline or subfield that either take on this question directly or else consider an illuminating case study. On what grounds should a particular creature, character, or god be classified as a “monster?” What is revealed when these entities are compared across cultures? Where do the limits of this category lie and what is revealed by pushing them? What are the benefits and pitfalls of applying the category of “monster” to contexts beyond Western culture?

Method:

PAPERS

Process:

Proposals are anonymous to chairs and steering committee members until after final acceptance/rejection

Leadership:
ChairJoseph Laycock, joe.laycock@gmail.com
Kelly Murphy, kelly.murphy@cmich.edu
Steering CommitteeEric D. Mortensen, ericdmort@yahoo.com
Michael Heyes, heyes@usf.edu
Natasha Mikles, n.mikles@txstate.edu

Monsters: An Inclusive Interdisciplinary Project

Monsters
An Inclusive Interdisciplinary Conference

Saturday 31st August 2019 – Sunday 1st September 2019
Lisbon, Portugal

This inclusive interdisciplinary conference seeks to investigate and explore the enduring influence and imagery of monsters and the monstrous on human culture throughout history. In particular, the project will have a dual focus with the intention of examining specific ‘monsters’ as well as assessing the role, function and consequences of persons, actions or events identified as ‘monstrous’. The history and contemporary cultural influences of monsters and monstrous metaphors will also be examined with a view to forming a selective publication to engender further collaboration and discussion.

Consistent with its inter-disciplinary ethos, the event proposes to step outside the traditional conference setting and offer opportunities for artists, photographers, practitioners, theorists, independent scholars, academics, performers, writers, and others to intermingle, providing platforms for interdisciplinary interactions that are fruitful and conducive to broadening horizons and sparking future projects, collaborations, and connections.

The organisers welcome proposals for presentations, displays, exhibits, round tables, panels, interactive workshops and other activities to stimulate engagement and discussion on any aspect of the interplay between monsters, monstrosities, and the monstrous, particularly in relation to any of the following themes:

* The “monster” through history
* Civilization, monsters and the monstrous
* Children, childhood, stories and monsters; monsters and parents
* Comedy: funny monsters and/or making fun of monsters (e.g. Monsters Inc, the Addams Family)
* Making monsters; monstrous births
* Mutants and mutations
* Technologies of the monstrous
* Horror, fear and scare
* Do monsters kill because they are monstrous or are they monstrous because they kill?
* How critical to the definition of “monster” is death or the threat of death?
* human ‘monsters’ and ‘monstrous’ acts? e.g, perverts, paedophiles and serial killers
* the monstrous and gender
* Revolution and monsters; the monstrous and politics; enemies (political/social/military) and monsters
* Iconography of the monstrous
* The popularity of the modern monsters; the Mummy, Dracula, Frankenstein, Vampires, Hannibal
* The monster in literature
* the monstrous in popular culture: film, television, theatre, radio, print, internet
*The monstrous and journalism
* Religious depictions of the monstrous; the monstrous and the supernatural
* Metaphors and the monstrous
* the monstrous and war, war reportage / propaganda

Papers will also be accepted which deal solely with specific monsters.

What to Send
The aim of this interdisciplinary conference and collaborative networking event is to bring people together and encourage creative conversations in the context of a variety of formats: papers, seminars, workshops, storytelling, performances, poster presentations, panels, q&a’s, round-tables etc.

300 word proposals, presentations, abstracts and other forms of contribution and participation should be submitted by Friday 8th March 2019. Other forms of participation should be discussed in advance with the Organising Chair.

All submissions will be minimally double reviewed, under anonymous (blind) conditions, by a global panel drawn from members of the Project Development Team and the Advisory Board. In practice our procedures usually entail that by the time a proposal is accepted, it will have been triple and quadruple reviewed.

You will be notified of the panel’s decision by Friday 22nd March 2019.

If your submission is accepted for the conference, a full draft of your contribution should be submitted by Friday 12th July 2019.

Abstracts and proposals may be in Word, PDF, RTF or Notepad formats with the following information and in this order:
a) author(s), b) affiliation as you would like it to appear in the programme, c) email address, d) title of proposal, e) body of proposal, f) up to 10 keywords.

E-mails should be entitled: Monsters Submission.

Early Bird Submission and Discount
Submissions received on or before Friday 8th February 2019 will be eligible for a 10% registration fee discount.

Where to Send
Abstracts should be submitted simultaneously to the Organising Chair and the Project Administrator:

Dr Cristina Santos: csantos@brocku.ca<mailto:csantos@brocku.ca>
Project Administrator: lisbonmonsters@progressiveconnexions.net<mailto:lisbonmonsters@progressiveconnexions.net>

What’s so Special About Progressive Connexions Events?
A fresh, friendly, dynamic format – at Progressive Connexions we are dedicated to breaking away from the stuffy, old-fashion conference formats, where endless presentations are read aloud off PowerPoints. We work to bring you an interactive format, where exchange of experience and information is alternated with captivating workshops, engaging debates and round tables, time set aside for getting to know each other and for discussing common future projects and initiatives, all in a warm, relaxed, egalitarian atmosphere.

A chance to network with international professionals – the beauty of our interdisciplinary events is that they bring together professionals from all over the world and from various fields of activity, all joined together by a shared passion. Not only will the exchange of experience, knowledge and stories be extremely valuable in itself, but we seek to create lasting, ever-growing communities around our projects, which will become a valuable resource for those belonging to them.

A chance to be part of constructing change – There is only one thing we love as much as promoting knowledge: promoting real, lasting social change by encouraging our participants to take collective action, under whichever form is most suited to their needs and expertise (policy proposals, measuring instruments, research projects, educational materials, etc.) We will support all such actions in the aftermath of the event as well, providing a platform for further discussions, advice from the experts on our Project Advisory Team and various other tools and intellectual resources, as needed.

An opportunity to discuss things that matter to you – Our events are not only about discussing how things work in the respective field, but also about how people work in that field – what are the struggles, problems and solutions professionals have found in their line of work, what are the areas where better communication among specialists is needed and how the interdisciplinary approach can help bridge those gaps and help provide answers to questions from specific areas of activity.

An unforgettable experience – When participating in a Progressive Connexions event, there is a good chance you will make some long-time friends. Our group sizes are intimate, our venues are comfortable and relaxing and our event locations are suited to the history and culture of the event.

Ethos
Progressive Connexions believes it is a mark of personal courtesy and professional respect to your colleagues that all delegates should attend for the full duration of the meeting. If you are unable to make this commitment, please do not submit an abstract or proposal for presentation.

Please note: Progressive Connexions is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence, nor can we offer discounts off published rates and fees.

Enquiries: lisbonmonsters@progressiveconnexions.net<mailto:lisbonmonsters@progressiveconnexions.net>

Web address: ttp://www.progressiveconnexions.net/interdisciplinary-projects/evil/monsters/conferences/

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